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Brooke

InvadeNOLA Introduces New Assistant Blog Editor

Brooke Larsen

Greetings, all! My name is Brooke Larsen and I am proud to announce that I am InvadeNOLA’s brand new Assistant Blog Editor! I must admit that I am no stranger to the site; I’ve just got a sweet new title.

Brooke Larsen

Brooke failed miserably at modeling before coming to write for InvadeNOLA.

So, what is an Assistant Blog Editor? Even if you weren’t wondering, I’ll gladly tell you! In addition to my regular writing duties I will be in charge of helping Justin (the wonderful founder of this site in case you are out of the loop) edit and schedule all posts that appear on the website. It is a job as dangerous and as glamorous as it sounds. If you’re jealous, I understand 100%.

I am super excited and grateful to be an official InvadeNOLA staff member and I am looking forward to working with our writers, photographers, collaborators, and the other awesome people who make this city so wonderful to reside in. Working for InvadeNOLA has already introduced me to many aspects of New Orleans I never new existed (and I’m from here!) and I’m learning more each day because of it.

Now that I’ve introduced myself, I hope to meet y’all soon! Let the fun begin.

Brooke Larsen is a writer, performer and higher education professional from New Orleans, LA. She has a Bachelors degree in History from the University of New Orleans where she now works full-time. She is also the Assistant Blog Editor here at InvadeNOLA. Brooke loves comedy and fashion – her love-child of these is a fashion blog called Fierce Comical Modeling. Her goals are to gain local celebrity status and to one day travel to space. For more intrigue, visit hellobrookelarsen.com, her blog, or follow her on Twitter.

Photo by Rachel Maloney

Fashion Spotlight: Designer Social   

designer social

I am obsessed with fashion accessories. I own enough purses to use a different one each day of the month, so many shoes I often have to run to the bus (in heels!) because it took me so long to decide which pair to wear, and do not even get me started on headbands. Maybe I just administered a little hyperbole, but my obsession can be borderline problematic. Thankfully, outlets such as Designer Social exist to keep me sane. Their blog provides more than suitable eye candy to fight off those accessory-related cravings. However, if you’re looking for the real thing you can buy the goods directly on their site. Designer Social doesn’t just sell ordinary new and vintage accessories – it’s all designer. From Christian Louboutin to Coach they have it, and they make it available so you can, too.


The NOLA Project presents “As You Like It” and I liked it.

Music

Last night I had the pleasure of seeing a preview performance of Shakespeare’s As You Like It, The NOLA Project‘s latest show in collaboration with NOMA. The production, much like last year’s rendition of A Midsummer Night’s Dream (which I wrote about in my first InvadeNOLA article ever!), was wonderfully suited to the space. The Besthoff Sculpture Garden, which is adjacent to NOMA, is already a whimsical locale. Throw in a bunch of actors pretending to be in a forest speaking Shakespearean prose and you’ve got pure magic.

Rosalind, Cecilia and Touchstone

Rosalind (Kathlyn Carson), Celia (Kate Kuen), and Touchstone (Michael Harkins) chatting in one of the opening scenes.

The  play is set largely in the Forest of Arden, where a host of banished individuals come together and fall in love with each other. The two central characters, Rosalind and Orlando (Michael Krikorian), are especially in love. However, complications arise when the two are reunited in the forest and Orlando does not recognize Rosalind because she is dressed like a man. Sexual preferences are questioned (something we’ve all been through) as Orlando realizes he’s attraced to Rosalind’s male alter-ego “Ganymede” and Phebe (Natalie Boyd) also falls in love with Ganymede because she thinks she is a he. Hilarity ensues.

Wrestling

Orlando and Charles (Jason Kirkpatrick) wrestling.

As You Like It is often regarded as the Bard’s best comedy, and in the hands of The NOLA Project it is certainly hilarious. The acting and blocking allowed for great comedic timing. Since the play is staged using the entire sculpture garden, the space the players use is unrestricted, allowing each actor to stay in character even when they are “offstage.” As the action and dialogue is going on in front of the audience, other cast members could often be seen in the background going about their business entirely in character. Each actor was wholly comitted to their role – one of the three women who played a herd of sheep (arguably the funniest characters even though they had no lines) as well as the actor who played Adam (Michael P. Sullivan) both ate things that had fallen onto the ground. That’s commitment if you ask me. There are also opportunities for audience participation – the crowd is encouraged to cheer during a wresting match and given flyers with the headline “MISSING” when Duke Frederick is looking for his lost daughter.

MISSING

The play has been slightly abridged, making the running time a manageable two hours. The cuts weren’t noticeable to me except for one hilarious moment which I will not spoil here.

Music

There was also a lot of live music incorporated into the play, including a rendition of “Mr. Sandman” by The Chordettes.

The only thing I did not enjoy about the play was the bugs. They were trying to devour me the whole time. If you go, please wear bug spray. Also, bring a towel, blanket, or folding chair to sit on. I didn’t foolishly and I was covered in grass.

If you are a fan of truly immersive theater, I highly recommend you buy tickets to this show. Even if you’re not, buy ‘em anyway! They are only $16. The show will run May 9th, 10th, 13th, 16th, 17th, and 20th at 7pm so you have plenty of chances to see it. You will not regret your decision. As You Like It is a highly entertaining and beautiful play. “All the world’s a stage” indeed, but the Besthoff Sculpture Garden at NOMA is certainly one of the best.

Brooke Larsen is a writer, performer and higher education professional from New Orleans, LA. She has a Bachelors degree in History from the University of New Orleans where she now works full-time. She is also the Assistant Blog Editor here at InvadeNOLA. Brooke loves comedy and fashion – her love-child of these is a fashion blog called Fierce Comical Modeling. Her goals are to gain local celebrity status and to one day travel to space. For more intrigue, visit hellobrookelarsen.com, her blog, or follow her on Twitter.

All photos taken with my trusty iPhone and edited on Instagram.

Artist Focus: Vicky Illk

Vicky Illk

Actress. Producer. Comedian. Lady. Blond. Native Minnesotan. What do all of these charming, but seemingly random words and phrases have in common? Anyone? If you guessed Vicky Illk give yourself a well-deserved pat on the back!

Vicky Illk

Vicky Illk, wearer of many (figurative) hats.

Vicky Illk is an artist – primarily an actor and producer – based here in New Orleans. She does a lot; currently she is a member of an all female comedy troupe called Pretty Witty, part of a group of independent filmmakers and actors spearheaded by director Miceal O’Donnell, and her video interview with Justin Grant Wade (the actor who played Steve Holt on Arrested Development) has recently blown up.

“Pretty Witty” does improv, sketches, and video shorts. The group of filmmakers is responsible for the low budget feature film Simple (which was filmed exclusively in New Orleans) and they are working on two new features that are currently undergoing post-production. The independent film scene can be a tough one because the makers of such films have to overcome budgetary restrictions and other hardships in order not only to create films, but to market them as well. “…Sheer passion and creativity are not enough to make a movie that can compete with studio films and wealthy producers,” says Vicky. “It takes a network of very gifted and dedicated people to overcome budgetary restrictions and lack of Hollywood connections.” Vicky is a lady who knows what it’s like firsthand and notes that while there are difficulties, there is also a lot to gain from being a part of such a film making process. In this interview she talks about what lead her to move to New Orleans, why she became an actress, and what it’s like to work in the local film and theater world.

What is it about New Orleans that drew you to the city?

Honestly? Bars. I went on a college visit in April 2006 and enrolled largely based on my ability to get in to The Boot at age 17. But that’s what’s great and terrible about New Orleans; it invents new ways to keep you hostage. First it was bars, then it was school and my sorority, and now it’s film.

When did you know you wanted to be an actress?

My senior year at Tulane I auditioned for The Vagina Monologues and picked the most controversial piece available to us, “My Vagina Was My Village.” I figured it’d give me an advantage. I mean, who would pick a monologue about rape when you could do one about angry, talking vaginas? When I got the part, I studied other actors reading the piece on YouTube and was disappointed by the emotionless, beat-poetry style it was often performed. A brave Bosnian refugee gave us the privilege to share her story and I knew I needed to become her on stage to truly affect the audience. Being able to make my friends cry by making myself a vessel of the narrative and subsequently called to action by the play was a high I still chase.

What drew you to the independent film scene?

Miceal O’Donnell cast me in a short film a couple years ago on the condition I take his free acting class. The deal was, he teaches us, we act in and work crew on his movies. Soon the class was collectively producing a feature film, Simple, that will be hitting the festival circuit this fall. Independent films are not only a great way for actors to learn, they’re a necessity. My acting skills would not be where they are now had I only been trained in the classroom because the technical knowledge of film making has greatly informed the way I perform. With indie film, we can showcase our talents through bigger roles with depth instead of relying on one-liners in studio movies, praying our faces are interesting enough to book us another part.

Vicky on set

Vicky on the set of Simple.

What is it like to audition for and work on an independent film verses a big budget, Hollywood mammoth?

They’re totally different animals. Being a stand-in on a big movie is like being in a museum; don’t touch anything, don’t talk too loud. There might as well be a layer of thick glass between you and the director. But you can weasel your way in to the ancient artifacts restoration lab by being engaged, doing a great job, and not messing with the chain of command. Acting in a micro budget indie film is like a nature reserve where you can pet the animals. You need to behave yourself but you’re so much more involved in what goes on. Both are really fun!

What challenges do you face as an aspiring actress and filmmaker?

Way too many to list. But I would say believing in myself is the hardest. I’m a very analytical person so it’s easy for me to say that I didn’t start young enough, that there are too many talented women that look exactly like me, that very few people ever make a real living through acting alone. Surrounding myself with positive people that believe in me is really the only reason I’ve even gotten this far.

What are your views on the local film market?

Yay, Louisiana! I think what’s going on is largely very good. It’s really fun to be somewhere aspiring filmmakers can be both involved in and inspired by huge studio movies. My only gripe is that casting for big budget features is mostly done in L.A. while often only leaving bit parts to local actors. But, thankfully, independent film helps fill that gap.

What advantages do you feel New Orleans presents to local actors and filmmakers? What are the disadvantages? 

Disadvantages? Barely any. I think everyone can benefit from the local scene at some point in their career. Eventually, actors will need to move to L.A. or travel back and forth to expand their opportunities but New Orleans is a great place to start out. I suppose the summer kind of sucks? Oh! I think we need more people teaching acting. I can’t find someone to continue teaching me the Meisner Method anywhere in the state. BOOOO.

Advantages? Lots of work on big sets, a small community full of creative people, tax incentives, plenty of good film making organizations, relatively cheap living expenses… I’m sure there are many more.

How do your experiences acting for the screen differ from acting on stage with your improv troupe? Are there similarities? 

Awesome question. I would say I’m a much better dramatic actor that comedic so improv still scares the crap out of me. I love it because you choose the character, you work with your partners to create a scene, and I feel like a rockstar after being so vulnerable on stage. But it still makes me feel like I’m about to pee my pants. Acting on screen requires the same vulnerability but you have a script to rely on and inform your character. You have multiple takes and time to rehearse. However, improv training helps you be more spontaneous and not anticipate what’s about to happen in a scene on film. They’re mutually beneficial arts.

Pretty Witty

Local, all-female improv and sketch comedy troupe “Pretty Witty.”
When did you start doing improv? How do you feel about the local comedy scene?

I started working with Jennifer Schemke on the recommendation of my vocal coach. The class evolved in to a troupe called “Yesand’s Hot Cousins” and I’ve since performed with other groups. I’m now working more on sketch comedy with the all-girl group “Pretty Witty” that we perform during variety shows between stand-up sets and shorts. I’m slowly learning about the local scene by going to lots of open mics and shows with my writing partners but don’t know much about how it compares to other markets. I’m particularly impressed by the female comedians I’ve worked with recently and am excited to be a part of the movement to have more women in comedy.

Brooke Larsen is a writer, performer and higher education professional from New Orleans, LA. She has a Bachelors degree in History from the University of New Orleans where she now works full-time. She is also the Assistant Blog Editor here at InvadeNOLA. Brooke loves comedy and fashion – her love-child of these is a fashion blog called Fierce Comical Modeling. Her goals are to gain local celebrity status and to one day travel to space. For more intrigue, visit hellobrookelarsen.com or her blog.

All photos via Vicky Illk‘s website

Interview: Jolie and Elizabeth

j&e2

New Orleans Fashion Week and Fashion Week NOLA may be over, but when is fashion ever an irrelevant topic? I’ll answer that question – it isn’t. Fashion is always in style. I don’t know about you, but New Orleans fashion in particular has been prevalent in my thoughts ever since I attended my first local fashion week and realized how much talent we have here in the South. I just can’t say it enough, y’all. Not only is it inspiring and empowering, but it also means I have the chance to display these fine clothes in my closet and brag about the fact that they were made in my city whenever I wear them.

One brand that I find is particularly proud of being designed and manufactured in the South is Jolie and Elizabeth. I’ve been a fan of this line ever since I laid eyes upon it. It’s classic, practical and beautiful – three words I often attribute to myself (hah!). When I saw their Fall 2012 collection on the runway this year I was blown away. It looked to me to be their best line yet, and I can hardly wait to get every piece of it on my body this fall. Inspired by it, I knew I had to interview the dynamic duo behind the self-titled line so I tracked them down. Here’s what Jolie Bensen and Sarah Elizabeth Dewey had to say about the design process, whether or not they wear their own clothes, and how working as a team led them to success.

Jolie Bensen and Sarah Elizabeth Dewey, the masterminds behind Jolie and Elizabeth.

Where are you from?

We were both born in New Orleans, LA. Jolie was raised in New Orleans and Sarah Elizabeth was raised in Dallas, TX.

When did you begin designing and what was/were your first project(s)?

We started Jolie and Elizabeth together in September 2009. It was both of our first projects as far as designing goes; however, we both had extensive training in merchandising, design, market experience and business before we founded our company.

Where did you study fashion/art? Ever study or consider studying other subjects?

We both studied Fashion Merchandising, Design and business at Louisiana State University. Jolie interned at Betsey Johnson offices in NYC before taking a full time position at BCBG corporate offices. We met while Sarah Elizabeth was doing an internship at BCBG in NYC.

What are some advantages and opportunities you feel the city of New Orleans offers to those in the fashion industry? Any disadvantages?

The City of New Orleans takes pride in anything created in New Orleans. We have received so much support and love from our local and regional communities because we make our product here from start to finish. It’s easy for us to be inspired here in New Orleans because of the events that take place here, the locals and the overall atmosphere in general – nobody really judges others here, it’s easy to be yourself. A few disadvantages would be that it is difficult for the city to understand what we do because we are the first company to wholesale and manufacture in New Orleans. Some individuals mistake our company for a small shop when we are much more complicated than that – we wholesale, sell direct to customer and ship all from our factory and our showroom here in New Orleans – this is a completely new concept for the city which can be difficult to understand.

Does New Orleans influence your work at all? What about the other cities you’ve lived in? Any other notable influences? 

There are so many events that take here – it is easy for us to design dresses that cater to each of these. The weather and culture influence us often – we want to make comfortable dresses for the heat that are also appropriate for work, festivals, and outdoor events. This is one of the reasons we use seersucker every spring/summer season. It is also a fabric rooted in the South. We are constantly inspired by southern women and take notes on what styles make them feel comfortable and beautiful. Our time in New York did teach us trend forecasting and merchandising skills, but we do not pay excessive attention to trends that come and go. Just because a magazine or runway show says chain metal is in doesn’t mean that look will translate to modern day life.

As a duo, how does the design process work? Do you come up with ideas separately, as a team, or both? Do you find that designing with a partner is helpful? Are there ever any conflicts? 

We always say, “we could never have done this alone”. Our partnership is key to our growth and success as a company. We usually have a few weeks just for the designing “process”. Designing with a partner is extremely helpful – we both have different styles and body types therefore we bring our own personalities to each style we design. We spend several days merchandising each collection and picking fabrications and colors. We are almost like a machine during this time – frequently having conversations that we swear only makes sense to us… “where was that piece of paper I had in my hand yesterday?” and the other one of us automatically knows.

What are the most important factors you consider when creating a garment/outfit?

The most important factors we consider are fit and end use. As far as fit goes we make sure the garment will be flattering on most women and is comfortable yet functional (adding elastic, where to put a zipper etc.)

“End Use” simply means – where can this garment be worn? If it is a work style we make sure it is appropriate for work but still stylist. If it is a cocktail dress we make sure we offer appropriate lengths and colors while also thinking of specific examples where each garment can be worn. We are both very big on having well merchandised collections – a few dresses for every occasion.

Jolie at work.

What are your favorite materials to work with when making clothing?

We are very big on quality fabrics and tend to steer away from polyester and rayon. We use cotton (seersucker and pique) every spring and summer. We also use silk crepe de chine and silk chiffon on several of our day and cocktail dresses. We have used wool, gabardine, and silk blends in previous collections as well.

Do you wear the clothes you design? Any favorite brands?

We LOVE wearing our own designs. One of the best parts of our brand is that we are the customer we design for – yes, we do have customers significantly older and younger than us; however, we design dresses what we ourselves will wear all year round.

What do you hope that your brand achieves? Do you have an ideal goal for Jolie and Elizabeth – local or national recognition, raising awareness of the importance of American made products, world domination, etc? 

We could write a book on all of the goals we have for our company! But I will touch on a few.

We are very committed to spreading awareness of the importance of local manufacturing. It is one of the aspects of our company we take the most pride in. We are very active in our community – speaking at local and regional high schools and colleges spreading awareness not only about our company but also American manufacturing. We would love to have a flagship Jolie and Elizabeth showroom here in New Orleans where we can hopefully employee local men and women in the future. Also, we’d like to be sold in every state across the country – spreading awareness of our brand; a quality product made in America. After that – world domination it is!

Can’t get enough of Jolie & Elizabeth? Follow them on Facebook and Twitter!

Brooke Larsen is a performer, photographer, and writer from New Orleans, LA. She has a Bachelors degree in History from the University of New Orleans where she now works full-time. Brooke loves comedy – she is in an improv troupe – and fashion – she has a fashion blog and attempts to dress well daily. Her goals are to excel as an artist and to one day work in historic preservation. For more intrigue, visit hellobrookelarsen.com or her blog.

Photos via Jolie and Elzabeth’s Facebook.